Crocodile Trio world premiere

Crocodile’s Premiere in Bangkok

The latest piece by composer Nicholas Keyworththe Crocodile Trio – received its world premiere in Bangkok this month.

Three performers from Chulalongkorn University (pictured above) premiered the work at Bangkok Art And Culture Centre on 4-5 April 2026. Watch the video trailer here:

This piece draws together instruments and musical colours from different worlds: 

  • The universality of the Piano
  • The western orchestral and chamber tradition of the Cello
  • The distinct sound of traditional Thai music from the Jakhe.

The Jakhe is traditionally shaped rather like a crocodile – although today the shape is more stylised. The name Jakhe is also close to the Thai word for crocodile: Ja-rak-hé. Hence the title given to this trio.

On one level, this piece has its roots in the classical piano trio, but on another it explores the similarity and differences of music from different traditions through its three contrasting movements:

The listener might imagine a crocodile swimming up the Chao Phraya river through Bangkok and visiting several locations along the way:
1. Pak Nam: The mouth of the river
2. Ko Kret: A sleepy river island
3. Bang Kachao: The ‘green lung’ of Bangkok

This commission grew out of a collaboration between Chulalongkorn University, Edupropgress Thailand and Revolution Arts.  The premiere took place as part of a two day Trinity College London Awards Ceremony for students who had excelled in examinations throughout 2025.

The Piano score and parts for Cello and Jackhe are now available as digital downloads from the Revolution Arts website. A printed version will also follow alongside plans for a complete performance of the full work and a recording.

The Sanctuary Stones

Premiere wins audience praise

The Sanctuary Stones, the third musical theatre piece in the ‘Wiltshire Trilogy’ by composer Nicholas Keyworth and writer Philip Jamieson, was praised following its Bangkok premiere last weekend.

A companion piece to  The Story of the Great White Horse(2024) and  The Moonrakers (2025),  The Sanctuary Stones also has its roots in ancient Wiltshire in the South West of England.

The premiere took place to an enthusiastic audience at the Bangkok Art & Culture Centre on 8 March 2026 with the composer conducting (pictured below with the cast). 

‘Very entertaining.’

Somtow Sucharitkul, composer, conductor and author, describing The Sanctuary Stones

In the show, the ancient protector of the Wiltshire plains (Hybrida – played by Benjamin Love – pictured), calls the creatures (Dryads – played by young people from central Thailand) to the Sanctuary Stones to protect them from the dangers of the midwinter night.

By day, they transform into beautiful winged creatures, but their very existence is threatened by the Ravens (led by JP Kwaengheng) who hunt them for their prey.

‘I love the concept of this production, building a foundation of Musical Theatre for young performers who will become competent performers as they grow.’

Said composer Krisada Reyes of The Sanctuary Stones

Only the magic of the Aurora Borealis can give the dryads the power they need to transform and build a bigger and better Sanctuary – Stonehenge.

Mini Musicals Go International

Alongside the 8 March World Premiere of The Sanctuary Stones, this year will also see performances of its companion pieces – The Moonrakers and The Story of the Great White Horse – around the world.

March: THAILAND

The finishing touches are in place for the premiere of The Sanctuary Stones in Bangkok commissioned by 
Spotlight Performing Arts Festival supported by EduProgress and Trinity College London. 

The Sanctuary Stones is the final part of The Wiltshire Trilogy by composer Nicholas Keyworth and writer Philip Jamieson. This piece follows The Story of the Great White Horse (2024) and The Moonrakers (2025).

These fully-staged musical theatre pieces are created for similar forces of young people working with professional performers. There is also a live 5-piece band, although the pieces can also be performed with backing tracks or with piano. 


April: CHINA

Director of Performing Arts James Smale will bring The Story of the Great White Horse to life with a performance at Foshan’s Lady Eleanor Holles International School.

‘How appropriate to be bringing this piece to China this year – the Chinese Year of the Horse.’  Says James


July & August: MALAYSIA

Performances of The Story of the Great White Horse are planned as part of Performance Live! Fest in Borneo and Kuala Lumpur in August. In addition, a production of The Moonrakers is being planned in Penang in July as part of the Language Arts Festival 2026 with Director Sue Sudarak.


‘I am delighted to learn that these musical theatre pieces are taking off around the globe. Designed for young performers working alongside professionals, these pieces are the perfect introduction to the world of real musical theatre.’ Says Nicholas


September: SOUTH AFRICA

In South Africa, Elevate Education will present The Moonrakers in Greyton, Overberg near Cape Town.

‘I saw the premiere of this piece in Bangkok last year and really loved it – so I am delighted to be bringing it to South Africa.’ Says Director Francine Booysens


Clouds

Shooting Stars launches with Clouds premiere

Spotlight Showcase 2026 at the Bangkok Art & Culture Centre (BACC) on 8 March will feature the premiere of Clouds -the first in a fantastic new series entitled Shooting Stars from Revolution Arts. Watch the first rehearsal with Darren Royston…

Shooting Stars have been taken from real musical theatre pieces by composer Nicholas Keyworth and writer Philip Jamieson. These short pieces are a wonderful introduction to the world of live performance, as well as having real educational value and integrity in their own right.

Clouds is an extract from the mini musical The Great White Horse. Set in a beautiful green landscape many ‘hoofbeats’ ago, the story tells of a time when horses ruled the land – and clouds formed pictures in the sky.

“Shooting Stars are ideal for performing to parents, as part of a concert, for a festival or competition – or just for fun! They are also designed for Trinity Stars (Young Performers Awards) at Bronze, Silver and Gold level.”

Nicholas Keyworth (composer and director of Revolution Arts)

Prior to a performance of Clouds children make horse head masks, learn movement and sing a song as they listen to the story read by the ‘Old Cart Horse’ narrator – who can be a teacher or group leader.

Darren Royston is the narrator for the World Premiere performance of Clouds and is pictured above at one of the workshops he is running with the children who will be performing on 8 March.

Darren Royston: Trinity Laban, London: MA
Darren fell in love with acting and aged 11 he joined a professional theatre company to perform in the musical Oliver! His training in music, dance, speech and drama led him to become a Cambridge University scholar, London West End performer and RADA associate. He is now developing International Youth Performance in Thailand.

As actor, director, choreographer, researcher and teacher, he has worked with leading stars including Daniel Radcliffe, Emma Watson, Tom Hiddleston, Cynthia Eviro and many others.

Clouds will be premiered as part of the Spotlight Showcase 2026 on Sunday 8 March at 4.30pm alongside the premiere of The Sanctuary Stones at the Bangkok Art & Cultural Centre.

The World Premiere performance of Clouds has been support by the Spotlight Performing Arts Festival and EduProgress.

The Sanctuary Stones

Rehearsals begin for World Premiere of The Sanctuary Stones

Casting is complete and rehearsals have begun ahead of the world premiere of The Sanctuary Stones on
8 March in Bangkok. 

Set long ago on the plains of Wiltshire, The Sanctuary Stones explores themes of transformation, metamorphosis and compromise. Devised by composer Nicholas Keyworth and writer Philip Jamieson, this is the third piece in the duo’s Wiltshire trilogy following on from The Great White Horse (2024) and The Moonrakers (2025).

“As with the other two pieces in this trilogy, these themes have an international resonance which young people can really relate to.”

Nicholas Keyworth (composer and musical director)

The piece will be performed by young performers aged 7-15,  a narrator/singer, dancer/choreographer plus a band of five musicians. Let’s meet three of the creatives who will be on stage at the premiere performance: 


Nicholas Keyworth: Musical Director

Nicholas Keyworth

Former Chief Examiner at Trinity College London, and artistic director of a UK-based arts charity, Nicholas is also founder and director of Revolution Arts.

Nicholas’s compositions includes work for the stage and concert hall including the epic Revolution The Musical, Globetrotter for piano and Piano Circus premiered in August 2025. 


Benjamin Love: Hybrida

Raised in the Alabama gospel tradition and inspired by the legends of Soul, Motown, Jazz, and the Blues, Benjamin delivers an authentic “Old School” vocal sound. 

After returning to Thailand, his solid musical foundation and lifelong passion earned him the top spot as the winner of the 2004 Thailand’s National Five-Region Singing Competition.


JP Kaewhanaham: Raven

With over 15 years’ experience working with children, JP is a professional dancer and choreographer who brings energy, creativity, and heart to every stage he steps on. 

Before training in the USA, JP was winner of the World Pro-Am Championships in Las Vegas in 2010 and repeatedly won the South African Pro-Am Dance Championships between 2012 and 2024.


The Sanctuary Stones will be premiered as part of the Spotlight Showcase 2026 on Sunday 8 March at 4.30pm at the Bangkok Arts & Cultural Centre (BACC).

edu progress

The Sanctuary Stones has been commissioned by the Spotlight Performing Arts Festival with support from EduProgress and Trinity College London. 

Nicholas and student musicians from Chulalongkorn University

Crocodile Music in Bangkok!

A project focusing on a new commission has been launched with a workshop at Bangkok’s Chulalongkorn University. 

Composer Nicholas Keyworth met with three talented musicians at the university exploring the instruments and sounds of traditional Thai and Western music.

The commission will feature the piano, cello and the Ja-kae to create a unique sound-world.

Note: The backing music in this video is purely indicative!

This was an amazing first workshop with the musicians where we explored the similarities and differences between the three instruments. I particularly wanted to work with the Ja-kae as it has such a clear percussive sound and it is also very melodic.”

Said Nicholas Keyworth

The Ja-kae (pictured left) is a plucked string instrument with three strings and frets. The name is derived from the Thai word for crocodile (Ja-ra-kae) because the body of the instrument is shaped a bit like the reptile.

The project will culminate with the premiere of the piece on 4 and 5 April at the BACC (Bangkok Arts & Culture Centre) as part of the Trinity College London National Awards Ceremony.  

In association with Revolution Arts, CUMEX (Chulalongkorn University Musical Education Excellence centre) and EduProgress Thailand are supporting this innovative project.

Avebury Stones

The Sanctuary Stones – World Premiere in Bangkok

The Sanctuary Stones – the third and final part of the ‘Wiltshire Trilogy’ by  Nicholas Keyworth and Philip Jamieson – will be premiered in Bangkok in March 2026.

‘We are now recruiting the cast for this year’s musical theatre show. We need a group of young people aged 7-11 for singing, acting and movement. This is a fantastic opportunity to work alongside a professional singer and dancer and perform on stage with a live band and conductor.’

Said Nicholas Keyworth, composer and musical director

Each lasting 30 minutes, these ‘mini musicals’ are an ideal introduction to the world of musical theatre for young performers working alongside professional performers. 

The Wiltshire Trilogy opened in Bangkok in 2024 with the premiere of The Great White Horse. Inspired by the ancient carvings of white horses in the chalk downlands, children aged 7-11 wearing horse-head masks performed alongside a professional storyteller and a tenor singer.

The following year saw the premiere of The Moonrakers inspired by the legend set in the historic Wiltshire town of Devizes. The children play a variety of pond dwellers in this show wearing masks and colourful socks to show their individual waterbird characters. 

The Great White Horse and The Moonrakers are already scheduled for 2026 performances in China, Malaysia, South Africa and other venues in Thailand.

The Sanctuary Stones is inspired by the ancient stone structure of wildfire such as the Avebury Stone Circle and the iconic Stonehenge which is recognisable worldwide.

Stonehenge

The Sanctuary Stones will be premiered on Sunday 8 March at the Bangkok Arts & Cultural Centre. It has been commissioned by the Spotlight Performing Arts Festival with support from EduProgress and Trinity College London. 

Composer Nicholas Keyworth meets singer Benjamin who will perform the role of Hybrida in The Sanctuary Stones.

Moonrakers

The Moonrakers – World Premiere in Bangkok

The world of Musical Theatre welcomed a new addition to the repertoire recently with Nicholas Keyworth’s The Moonrakers, a companion piece to the 2024 Story of the Great White Horse…

Inspired by the legend of the Devizes ‘Moonrakers’ in the south of England, this show with words by Philip Jamieson is set around the cool waters of a pond. And there are quite a variety of pond dwellers in this show: ducklings, cygnets, goslings and moorhen chicks, all played by children aged 7-11 wearing hats which double up as masks together with coloured socks hinting at their individual characters. 

Overseeing them is a graceful swan named Hong – Thai for Swan. This professional role for a female singer/narrator looks to the planets to give stability to their fragile world, and to the old oak tree which stands next to the pond giving shade from the sun by day – and obscuring the moon at night. 

All this changes dramatically when a freak storm causes havoc to their peaceful world and the great oak tree comes crashing to the ground.

The menacing character of Storm is played by a professional dancer who also steers the choreography of the show.

Described as a mini musical, this a fully staged work designed with young performers in mind. Therefore it is a perfect introduction to musical theatre.

‘In no way is this a simple ‘children’s musical’. It is a complete piece of musical theatre involving young people in singing, acting and movement as they work alongside a professional singer and dancer with a live band and conductor’.

Nicholas Keyworth, composer

The show also works on another level with a warning about the impact of climate change on our planet and with Hong’s realisation at the end that it is not the planets which keep us safe, it is down to us to look after our own planet Earth because ‘Nature has the answers – if we listen to her rhyme’.

The work can be performed with piano or backing tracks, but it really comes alive with a five piece ensemble.

A minimalist set with a pool of light reflecting on the stage suggests the pond, and some amazing video projections are particularly effective at creating a violent storm complete with sound effects.

The Moonrakers was premiered on Saturday 22 March at the Bangkok Arts & Cultural Centre. It was commissioned by the Spotlight Performing Arts Festival with support from EduProgressand Trinity College London.  

The Moonrakers will soon be available worldwide as a complete digital download package consisting of the complete script and musical score, backing tracks, mask templates, performance directions, video projections and performance licence. 

Acting

Don’t make a DRAMA out of your ACTING!

Did you know that our new pieces for Trinity’s ACTING exams are also perfect for DRAMA exams? Find out how…

Whether you do Trinity’s Acting exams or Speech & Drama exams, many of the requirements up to grade 3 are exactly the same and you can use much of our new material to provide some fresh new pieces for your students. In addition we have some fantastic hints, tips, advice and ideas to help reinvigorate your teaching.

Here is a comparison of the requirements for Trinity’s Acting exams and Speech & Drama exams from 2023…

As you can see, MONOLOGUES and MIME can be included in either exam from Grades 1 – 3. And ALL students take part on the REFLECTION at the end. 

So why monologues?

Monologues are great little self contained solo plays which students love performing. There are lots to chose from in our new collection with themes ranging from animals, collecting things and moving schools for the early grades.

By grade 3 the themes become more demanding with issues such as trust and friendship and with greater emotional depth.

Mary Ann Tear

I highly recommend you explore this material whether as a teacher, parent or potential student. As well as developing the skills you need you will also HAVE FUN at the same time! I assure you that a quickglance will become much more…

Mary Ann Tear Trinity College London Examiner and Consultant, BIFF Adjudicator, Educator, Performer, Director and Choreographer

But most importantly they are designed to exactly match the requirements and expectations for each grade – in length, content and suitability. 

And dont’ forget our introductory offer…

Introductory offer

Have you been ACTING UP this Holiday?

Our new collection of materials has just got bigger with the addition of 24 FREE videos giving you some great ideas to help you develop a performance with Distinction! 

People are already downloading our brand new pieces for acting (and drama) exams from Trinity College London up to Grade 3. On our website you can click on any of the monologues and duologues to:

  • View an Excerpt.
  • Study the Stage Directions.
  • Discover some valuable Hints & Tips.
  • And now also view FREE Videos…

All this will really help you understand the pieces so you can choose the best one for you.

Remember – these monologues are suitable for either the Trinity Acting or Drama exams where the requirements for this aspect of the exam are the same.

And there’s lots more…
There’s loads of FREE STUFF on the website to support Mime, Character Development and the final Reflection part of the exam – so you can be really prepared and confident – but also Have Fun!

In January, Director of Revolution Arts, Nicholas Keyworth, will be offering an online Exam Consultation Package to help you to:

Introductory offer
  • develop your acting skills
  • select the best material for you
  • get video feedback on progress
  • make sure your exams are on track.

And don’t forget our introductory offer…

‘There is something for everyone in this fantastic collection which will keep you and your friends entertained for hours – and give you all the tools you need to make a success of a Trinity exam.’

Nicholas Keyworth,  Director of Revolution Arts and former Chief Examiner at Trinity College London